Sensorium Ex

2025

Opera

People / Culture

Science / Tech

Active

Sensorium Ex is an ambitious new opera by librettist Brenda Shaughnessy and acclaimed composer Paola Prestini, co-directed by Jerron Herman and Jay Scheib, that synthesizes artificial intelligence, disability, and the arts in a groundbreaking and innovative artistic work. The visionary production pushes the boundaries of what it means to have a voice, paving the way for future artists with disabilities. Sensorium Ex delves deep into the essence of voice, transcending the limits of language to profoundly reimagine what it can be. WORLD PREMIERE May 22 – 25, 2025

Redefining what it means to have a voice.

Operating at the intersection of AI, disability, and the arts, Sensorium Ex explores the fundamental question of what it means to have voice, and the nature of voice beyond language. Paola Prestini’s expansive, multi-modal work tells a dystopian tale centered on a mother and her a nonverbal, nonambulatory child with multiple disabilities, as they resist a villainous corporate entity's attempts to destroy what it means to be human.

Blurring the lines between art and technology, the opera will feature a new set of AI tools developed in partnership with NYU’s Ability Lab that will expand the possibilities for voice and expression in people with disordered, impaired, or limited speech. With a cast of predominantly disabled performers, the project seeks to devise new artistic practices which center disability equity and access throughout all steps in the process. Sensorium Ex is composed by Paola Prestini, co-produced by VisionIntoArt and Beth Morrison Projects, directed by Jerron Herman and Jay Scheib, and features a libretto by poet Brenda Shaughnessy. Premiering for the first time at Omaha’s Common Senses Festival 2025, Sensorium Ex creates an entirely new operatic world – one that redefines who gets to have a voice.

Collaborators:

Paola Prestini, composer

Jerron Herman & Jay Scheib, directors

Brenda Shaughnessy, librettist

NYU Ability Lab, technology 

Produced by VisionIntoArt in association with Beth Morrison Projects

Cast: 

Hailey McAvoy, mezzo-soprano

Kader Zioueche, actor

Jakob Jordan, actor

Laurie Rubin, mezzo-soprano

Ju Hyeon Han, soprano

Lucia Lucas, baritone

Joshua Jeremiah, baritone

Other cast members to be announced soon.

Format

90 minutes / Opera

Collaborators

Music by Paola Prestini, libretto by Brenda Shaughnessy, co-directed by Jerron Herman and Jay Scheib. Lead produced by VisionIntoArt with Beth Morrison Projects. Workshop production support: Artscape, Cape Town South Africa; the Shed; The Reach at the Kennedy Center.

Funders and Partners

Funded by The Mellon Foundation, The Ford Foundation, Alphadyne Foundation, and Nordisk Kulturfond.

Press

Creatives are increasingly using digital tools and technology, not as accompaniments, but as central components of creative work, from the artificial intelligence opera Sensorium Ex

Inside Philanthropy

I am so excited to be part of an opera that provides a nuanced look at disability. As an artist with a disability, I’ve looked before at programming music that features disability… and time and time again, outdated and two-dimensional portrayals of what it means to have a disability have sent me back to the drawing board. With Sensorium, the explorations of disability and accessibility are so rich and nuanced… and ultimately point to the truth that disabled people are whole and beautiful just as we are, without the need to appear ever more able, or to fit into a world that demands we be so. Sensorium asks the world to change its perception of disability, instead of asking disabled people to change. This is a message I cannot wait to sing and share!

Hailey McAvoy

I was introduced to the Sensorium initiative last year, and was thrilled to learn of an operatic work that gives voice to disability, inclusion, and access.  When I heard the music and met the team, my excitement grew tenfold.  After watching so many of the pieces come together this past year, I am truly excited to be a part of a musical union of sorts that brings together so many of the pieces.
Laurie Rubin